Analog audio signals are susceptible to noise and distortion, unavoidable due to the innate characteristics of electronic circuits and associated devices. In the case of purely analog recording and reproduction, numerous opportunities for the introduction of noise and distortion exist throughout the entire process. When audio is digitized, distortion and noise are introduced only by the stages that precede conversion to digital format, and by the stages that follow conversion back to analog.
The digital audio chain begins when an analog audio signal is first sampled, and then (for pulse-code modulation, the usual form of digital audio) it is converted into binary signals—‘on/off’ pulses—which are stored as binary electronic, magnetic, or optical signals, rather than as continuous time, continuous level electronic or electromechanical signals. This signal may then be further encoded to allow correction of any errors that might occur in the storage or transmission of the signal, however this encoding is for error correction, and is not strictly part of the digital audio process. This "channel coding" is essential to the ability of broadcast or recorded digital system to avoid loss of bit accuracy. The discrete time and level of the binary signal allow a decoder to recreate the analog signal upon replay. An example of a channel code is Eight to Fourteen Bit Modulation as used in the audio Compact Disc (CD).
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